A self-guided look at contemporary art incorporated throughout Fontainebleau Las Vegas, with the surest stop in the South Lobby: Urs Fischer’s monumental sculpture and two paintings. Treat the rest as a flexible resort walk, not a ticketed museum tour.

At the South Lobby, see Urs Fischer’s 46-foot Lovers #3—aluminum, stainless steel, and gold leaf—made to be viewed from multiple vantage points, plus his paintings The Touch and The Eye.

Beyond the South Lobby, the collection lists Richard Prince’s Untitled 2018–2019 in the main-lobby circulation and Gonzalo Lebrija’s History of Suspended Time at the southwest casino entrance; BREAKFAST’s interactive kinetic Oceans is also at the southwest casino entrance.

If the route is accessible that day, look for Ivan Navarro’s Mirage at the base of the Pool District escalators. Tim Tadder’s La Liaison Amouresuse comprises 38 works placed throughout the resort.

I’d start at the South Lobby entrance and give Lovers #3 a slow lap—the piece earns the extra steps. I’d take in The Touch and The Eye there, then drift through the main-lobby circulation and toward the southwest casino entrance only where access is plainly open. I treat Mirage at the Pool District escalators as a bonus, not the mission. This is gallery-hopping with much better air-conditioning and a real chance of getting distracted by a chandelier.

I walk around Lovers #3 rather than snapping it from the first spot—the artist and operator designed it for multiple vantage points.

I make the South Lobby my non-negotiable stop and keep the pool-district piece flexible; a Las Vegas resort can turn a straight line into a detour faster than a cocktail becomes a tab.

I keep video away from slot machines: the resort says social-media filming at its slot machines is not permitted. The lobby is the better place for your cinematic moment anyway.

I pair this with Resorts World and Wynn for a north-Strip art-and-evening route, not a back-and-forth Strip march.